Posted 17 November 2016
Fierce Job Opportunity
Job Description: Operations Manager
Fierce is entering a new and exciting phase with the recent appointment of a new Artistic Director, Aaron Wright. We’re looking for someone on an interim basis to work alongside Aaron to take responsibility for the operational aspects at Fierce, based in our new office in Digbeth.
Fierce is an international festival of cross art form performance centred in Birmingham. Fierce Festival started life in 1997, and is the most established festival of Live Art in the UK. The festival embraces theatre, dance, music, installations, parties, activism, digital and participatory practices. Fierce fills the city with performances in theatres, galleries and other out-of-the-ordinary spaces. Fierce also delivers a year round programme of projects and local artist opportunities.
The Festival is looking for an experienced Operations Manager to join the team between now and April 2017 on an interim basis to help support the operational side of the business and some fundraising support. This is being offered as a freelance role based on 40 days between now and the end of April at a set fee of £5000.
If you are interested in the position please request a full job description from firstname.lastname@example.org
Deadline for submissions 09.00 am on 7th December 2016.
Application emails should be marked Freelance Operations Manager Application
For more information about Fierce visit our website
Posted 21 October 2016
Fierce is delighted to announce the artists chosen for the 2016 round of Fierce FWD. Fierce FWD (previously Platinum) is a development programme for emerging Live Artists living or working in or originally from the West Midlands.
The Fierce FWD artists 2016 are Suriya Aisha, Sean Burns, Thomas Doherty, Vivian Chinasa Ezhuga, James Harris, Myah Jeffers, Malik Nashad Sharpe, Louisa Robbin, Benedict Stewardson, Emily Warner and Kaye Winwood & Olivia Winteringham. You can find out more about the artists and their Fierce FWD projects over on the Fierce FWD pages which will be updated as the projects progress.
We are also delighted to announce a new collaboration with Birmingham Repertory Theatre who we’ll be working with to deliver a programme of talks and workshops for the Fierce FWD artists and the participants of the Theatre Makers strand of their own Rep Foundry development programme.
Each of the FWD artists receive a £500 micro bursary to start to develop a new project. They might want to spend it on materials, studio time a research trip or something else entirely. Furthermore, over the course of the next six months the Fierce FWD artists will undertake a number of research trips to Live Art events around the UK including SPILL Festival of Performance, In Between Time: Bristol International Festival, Steakhouse Live and Arika.
Fierce FWD is generously supported by Arts Council England and Jerwood Charitable Foundation.
Posted 24 August 2016
Fierce FWD is a development programme for artists working in Live Art and performance conceived and produced by Fierce and supported by Arts Council England and Jerwood Charitable Foundation. Fierce FWD offers the opportunity for artists to develop an idea for a live performance/experience in the public realm alongside a period of research and field trips.
The programme is for emerging artists living or working in the West Midlands (outside of full-time education) or those with strong ties to the region, perhaps through studying or growing up locally. In keeping with Fierce being a Live Art festival this scheme is aimed at those developing projects for live performance and experiences. We define Live Art broadly and expect to receive a broad range of proposals encompassing performance art, body art, experimental theatre and dance, contemporary performance, socially engaged projects, art activism, progressive cabaret and club performance, one-on-one performance, durational work, site-specific projects, immersive parties, performative events and other experimental live practices.
We take a similarly broad approach to the term ‘emerging’, this scheme isn’t intended just for young people and recent graduates, but anyone that defines as emerging. Perhaps you’ve recently started experimenting with performance in your practice, perhaps you’re re-emerging after a hiatus, or shifting focus to make your practice more of a professional commitment.
For this round of Fierce FWD we’re particularly interested in supporting artists to develop new work for the public realm and non-arts spaces. Have you got an idea for a carpark, city square, railway station, park, garden, bingo hall, swimming pool, rooftop, shop front, arcade, supermarket, public toilet, river, church, football ground or restaurant? Or perhaps you’ve got an idea for a project that would exist digitally, online or as an audio piece, or abstractly as a competition, stunt, tour or game?
The programme has two stages:
In September Fierce will select between eight and ten Fierce FWD artists. Each artist will receive a micro-bursary of £500 to try an artistic experiment, develop a piece of work or conduct some research towards a project. Alongside this, the Fierce FWD artists will participate in an intensive workshop delivered by one of the UKs foremost practitioners in making work in the public realm. Furthermore a number of research trips will be undertaken by the group and facilitated by Fierce to see high quality work around the country – with a bursary for each participant to do so. Research trips may include SPILL Festival of Performance (Ipswich), Arika (Glasgow), IBT: Bristol International Festival, Juncture Festival (Leeds), Sacred Festival (London) and more. Each Fierce FWD artist will also have their practice profiled to an international audience via a page on the Fierce website. Over this period that will start in October and run until March 2017, the cohort of Fierce FWD artists will support each other through facilitated discussion sessions.
From the eight Fierce FWD artists two or three will receive additional funding, mentorship and producing /curatorial support to develop a finished site-specific work for Fierce Festival, running the 16 – 22nd October 2017.
How To Apply
Please send proposals to email@example.com by noon on Monday 26 September with the subject line ‘Fierce FWD 2016’. Proposals should be up to two pages (max 1000 words) that include:
- An introduction to who you are.
- Your reason for applying for Fierce FWD and your connection to the West Midlands.
- A description of your proposed project, research or enquiry.
- A broad outline timeline and how you propose to spend the initial £500.
We will assess the proposals on the quality of the ideas and would like you to be realistic about what can be achieved within the given budget.
In addition you may also include:
- An up-to-date CV.
- No more than 2 video clips of your previous work.
- No more than 8 images of your previous work.
- No more than 3 links to your website, blog or other online work.
If you would like to apply via a video message, please do so, and ensure it contains the same information as requested above, within a 5 minute maximum duration.
We particularly encourage applications from black, queer and disabled artists.
We may not be able to provide detailed feedback on all proposals. We also advise that due to other schemes in the region Fierce FWD is not best suited for playwrights and traditional theatre makers who are better supported via other scheme’s in the region such as Rep Foundry.
If you have enquiries about the scheme email your question to firstname.lastname@example.org and we will reply as quickly as possible.
Monday 26th September at noon.
Posted 14 December 2015
Posted 11 November 2015
#Sergina is a gender-ambiguous, multi-locationable drag queen performed by Elly Clarke (mostly) and others, who sings and performs songs both online and off about trying to love, exist and get laid in a world that is increasingly experienced through screens. In a society that is increasingly narcissistic, #Sergina is everybody’s #selfie, and no one’s. She is up for grabs and she is untouchable. She is an image and she is flawed (and confined) by her flesh/s. She is a self-sculpted c-celeb. Her self is worn (out) on different bodies. She competes with her own image, and usually loses.
#Sergina’s Stimulatingly Sexy Simultaneous Simulation of Herself a 15 minute rehearsed live performance of Sergina’s songs performed simultaneously by 5 different bodies performing from their own localities, observed by live audiences, linked up by technology, through which it is also broadcast. In every location, #Sergina will be half obliterated by her mirage images projected onto her from different corners of the world. It will be a huge IRL Google Hangout, where every body is a simulation of an original whose authenticity it is itself dubious.
Local Times and Venue Information:
Raul de Nieves at Secret Project Robot Art Experiment
Join Facebook Event here!
Vladimir Kriscanski Takac at G12 HUB)
Join Facebook Event here!
Liz Rosenfeld at Monster Ronson’s Ichiban Karaoke
Join Facebook Event here!
Daisy Johnson at The Island
Join Facebook Event here!
Elly Clarke at The Lowry
Join Facebook Event here!
If none of these places are nearby you can watch online Via This Is Tomorrow and Sergina’s Youtube Channel! Elly Clark will be launching Shout Festival from 8pm at BOM this Thursday 12 Nov.
Posted 10 November 2015
FRIDAY 13 NOVEMBER///THE WELLINGTON HOTEL, 72 BRISTOL STREET, B5 7AH///BIRMINGHAM///
9AM – 2AM
While it would be snooty to slag Birmingham’s LGBT scene off for being too ‘mainstream’, there’s no denying the fact that it’s nowhere near as diverse as it should, or could be. As much fun as a night out on Hurst Street can be after a litre of gin, for a major city with over a million inhabitants, a growing economy and the youngest population in the UK, the lack of alternative spaces has always seemed rather odd. But then again, what the hell does alternative even mean? And how relevant would an alternative gay scene be to the inhabitants of a city that places its Michelin starred restaurants above all other forms of cultural expression? Do the city’s gays even give a shit about alternative gay stuff? Or should we just accept Hurst Street for what it is, and get on with the serious business of being ethically minded consumers during our non-working hours, expressing our individuality through the things we buy and eat, as opposed to the music we listen to and the environments we choose to get pissed in?
It’s difficult to identify the ‘real’ alternative from that which has just been marketed as such. The whole concept now revolves around consumption, with club promoters borrowing language from the world of advertising in order to sell their nights. Parties are repackaged and sold on as ‘brands’. Purpose built venues are described in terms of how ‘intimate’ they are, and seemingly everywhere that doesn’t play pop music is referred to as the ‘underground’. Amidst all the talk of bespoke alternative clubbing experiences, it’s easy to forget what it all actually means.
Some might say it’s found in the music, others, especially in the LGBTQ community, explore the alternative through drag and performance. If we’re looking for a definition of alternative in relation to night time entertainment, perhaps it might be accurate to say that it’s about breaking with consensus; the opportunity to experience sights and sounds that you might not normally encounter and if anywhere needs to break with consensus – to challenge the status quo and mix things up a bit – it would be Birmingham’s gay scene.
Tapping into the rich musical heritage of the LGBT community, PRAWN will be launching on Friday 13 November at the Wellington Hotel; an iconic venue famed for hosting same sex marriages before they were legal.
Situated on the edge of the Gay Village, the opening night will feature top Brummie DJ talent in the form of Leftfoot regular, Spinx, and Cache resident, Christie. Artist and A3 Project Space Director, Trevor Pitt, will be donning his ‘TREVA’ alter ego and warming things up with a very special engagement party set.
The music will include stuff you won’t have heard before, some stuff you might have heard before, there will be old stuff and new stuff, and it’s completely free.
Posted 2 October 2015
To find out more about Bek Berger or to get in contact visit www.bekberger.com
Spitting Art has been supported by the Australian Government through the Australia Council of the Arts, The Ian Potter Cultural Foundation, The Copyright Agency Career Fund and The City of Moreland.
Posted 28 September 2015
2 – 4 Oct 2015
The ICA, in association with Selfridges, presents ICA Off-Site: Digbeth, Birmingham. The off-site project coincides with Selfridges’ Live + Loud and is the ICA’s first project in the city. ICA Off-Site: Digbeth, Birmingham aims to reference recent trends in contemporary urban sub-cultures and features a temporary exhibition and music programme that draws on Birmingham’s mix of industrial and post-war brutalist architecture, celebrating the city as a centre for creativity and a source of inspiration.
To accompany the exhibition and events programme, Voodoo Rays provides New York-style pizzas and drinks inspired by local Birmingham flavours.
Fri 2 Oct, 8pm-12am
Sat 3 Oct, 8pm-12am
119 Floodgate Street,
Birmingham B5 5TL
Whether you’re a Birmingham local, or visiting from further afield, it’s easy to get to the event location.
The project is organised in partnership with Selfridges & Co and supported by the Arts Council
Posted 23 September 2015
Man Made & co. present
Made in Brum
An intimate mixed-bill performance curated by Man Made featuring original live dance, film and spoken words pieces.
Inspired by Birmingham’s industrial landscape and by the bonds and conflicts of the city’s night children, the work explores physical movement and mental constraints associated with friendships and affiliations.
When: Thursday 8 October, 7.30pm (Running time: 60 minutes)
Where: Centrala Gallery
Produced by Man Made Youth Company (Johnny Autin & Jerrel Jackson)
Man Made & co (Man Made Youth Company/Autin Dance Theatre/ Jerrel Jackson Company/Vanhulle Dance Theatre)
Supported by Arts Council England, mac birmingham and DanceXchange
More info at their website and make sure you follow them on twitter! @manmadeyc
Posted 18 September 2015
Red Bastard (2 – 3 Oct) & Sirens (5 -6 Oct)
Special ticket offers for Fierce fam use promo code FIERCE2015 for half-price!
Fri 2 & Sat 3 Oct | 8pm | Tickets £15 | Age 18+
Something funny must happen every 10 seconds… and it will.
After 5-star reviews and sold out shows across North America Europe and Australia, this seductive comedy monster delivers on his promise in this critically-acclaimed show. Experience this exquisite show as Red Bastard delicately leads you through a no holds barred theatrical masterclass – demanding to know nothing less than the existential query, “Who the hell do you think you are?”
Audiences should be prepared for anything to happen in this interactive show, in which Red Bastard engages you in masterclass of raw conversation, provocations, traps, rewards, and catch 22’s— encouraging risk and personal discovery. Playful, mischievous and downright outrageous – don’t miss this ‘once-in-a-lifetime experience’!
“A masterclass in physical comedy… his power to inspire and enthuse is undeniable.” ***** The List
“Jaw dropping… irresistible… (the audience) was taken on the ride of their lives… like great sex, I will be going back for more.” ***** Kate Copstick, The Scotsman
Find out more http://macbirmingham.co.uk/event/red-bastard/
Mon 5 & Tue 6 Oct | 8pm | Tickets £14 (£11) | Age 18+
Belgian collective Ontroerend Goed puts six young women on stage, to talk about how it is to be a female in the Western world at the start of the 21st century. After decades of feminism, six performers make the balance of how to be a woman – dealing with role models, patterns of expectation, persisting inequalities, acquired rights, inner censorship and everyday abuse as well as the new-found liberties and joys of being a female in the free world.
They’ve taken control of their appearance and use their range of expression to great effect. They’ve moved on, past militant anti–?male rage to the belief that men can be just as feminist as women. The performance uses images from the fashion industry, advertisement and porn, language bites exemplifying everyday verbal sexism, drawing on personal experiences as well as social media and song lyrics, showing sublime mastery of the female voice in every sense of the word.
“…It’s the unexpected juxtapositions that make this beautifully put-together show so startling and so thought-provoking. Big, bold, brazen, and not a hussy in sight. Only real women asking what it means to be a feminist.” **** The Guardian – Lyn Gardner
Find out more http://macbirmingham.co.uk/event/ontroerend-goed-sirens/