UK Premiere

Zoë Poluch, Hanako Hoshimi-Caines and Elisa Harkins (Stockholm, Montreal & Tulsa)

Radio III ᎦᏬᏂᏍᎩ ᏦᎢ

Saturday 15 October 2022, 2.00pm3.00pm

Birmingham Hippodrome, Thorp Street
Birmingham, B5 4TB United Kingdom
+ Google Map

Supported by the Embassy of Sweden, London and Québec Government Office. Presented in partnership with FABRIC. Included in our tiered discount offer.

60 mins £13/10

RADIO III /ᎦᏬᏂᏍᎩᏦᎢ is an indigenous futuristic concert, a beautiful and uncomfortable dance performance and a perverse triangle of shifting power. RADIO III questions, challenges, and defies minimalism and postmodern dance’s aesthetic claims of neutrality.  It strives to make visible what has been kept invisible in colonial systems of recognition and aesthetics.

As we live, layer and situate form in our bodies we hurtle through past, present and possible futures. We invite you into a supportive co-existence, separate but aligned, an anthem for xenophilia, a complicit dream, a consensual prophecy.

The intention of Radio III, a larger work that includes Elisa Harkins’ solo Wampum performance, is to create a metaphorical peacekeeping agreement between the performers in the work as well as with people watching the piece, regardless of tribe or race.

Presented in partnership with FABRIC.

Zoë Poluch’s artistic practice puts into motion different mediums and takes shape in different rooms. Her love-hate relationship with the “contemporary dance” scene is based on a long term and practice-based interest in the politics and poetics of moving and sensing. As she teaches, dances, talks, writes and thinks, she does it with a precise gymnastics of the senses.

Elisa Harkins is a Native American (Cherokee/Muscogee) artist and composer based in Tulsa, Oklahoma. Her work is concerned with translation, language preservation, and Indigenous musicology. Harkins uses the Cherokee and Mvskoke languages, electronic music, sculpture, and the body as her tools. Harkins received a BA from Columbia College, Chicago and an MFA from CALARTS.

Hanako Hoshimi-Caines is a mother, dancer, performance-maker, writer, questioner, enthusiast and organizer born and based in Tiohtià:ke/Montreal. Her work plays with the pleasure and the haunt of the familiar as strategies of resistance and transformation.

Credits

With and by: Zoë Poluch, Hanako Hoshimi-Caines and Elisa Harkins

Light Design: Paul Chambers

Costumes: Jade Tong Cuong

Regalia: Carol Young

Earrings: Molly Murphy-Adams

Residencies, co-production: MAI, MDT, Dance Victoria

Funders: Canada Council for the Arts, Swedish Arts Council, Swedish Arts Grants Committee, Tulsa Artist Fellowship, Agora de la danse, The Stable.

Discussion partners: Ivanie Aubin-Malo, James Goddard, Maria Kefirova, Stina Nyberg, KatieWard, k.g. Guttman, Kelly Keenan and Magnus Nordberg

Photo: Kinga Michalska

Performance photos: Mathieu Verreault

The work opened at MAI in Montréal June 3, 2019

 

*THIS SHOW IS INCLUDED IN OUR TIERED DISCOUNT OFFER*

New for this year we’re offering a tiered discount on bookings for multiple shows, giving you savings whether you’re planning to attend just a handful or all of them. The more tickets you buy, the more you save.

Buy tickets for 6 shows =10% off
Buy tickets for 9 shows = 15% off
Buy tickets for 12 shows = 20% off

Please note that this discount is only applicable to full-priced tickets, and only on certain shows.

Please see each individual event page to see whether that show is included in the offer.

 

Please note that our ticket purchasing is administered by Midlands Arts Centre. If you are an existing customer of Midlands Arts Centre, please use your account login details to purchase Fierce Festival tickets on this website.

Fierce Says

The combination of Elisa's music and Zoe & Hanako's dance is irresistible. You may remember Hanako from Make Banana Cry at Fierce 2019. Prepare for Elisa to become your favourite new popstar!

Details

Saturday 15 October 2022

2.00pm

Birmingham Hippodrome, Patrick Studio

UK Premiere

Lisa Vereertbrugghen (Ghent)

SOFTCORE a hardcore encounter

Wednesday 12 October 2022Friday 14 October 2022

Birmingham Hippodrome, Thorp Street
Birmingham, B5 4TB United Kingdom
+ Google Map

Presented with FABRIC. Part of our Flanders Focus, supported by Flanders House.
Included in our tiered discount offer

50 mins £13/11

- Loud noises / music (not continuously)
- One moment of flashing lights / strobe
- One moment of complete blackout
- Use of haze / smoke

Lisa sits on a stage dressed in all black with one leg slightly raised and bent at the knee and one leg beneath her on the floor.

Softcore – A Hardcore Encounter is a dance piece about hardcore techno subgenre ‘Gabber’. At 200 beats per minute this beat has been described as techno on speed: it’s the sound of the uncompromising underdog. It’s rave gone crazy. It places the body in a permanently accelerated state and can be viewed equally as part of both capitalist society and the resistance to it.

The young Belgian Lisa Vereertbrugghen has conducted an extensive examination of this form of club music over several years and explores the term hardcore with regard to the transformation, vulnerability, possibility and unpredictability that is concealed behind its stubborn convulsions and twitches. What if dancing so fast can be a way to appropriate speed not for being more productive, but for the opposite: Speed becomes a way to increase sensations and to elude control.

The audience is asked to sit on the floor, but chairs will be provided for people who prefer that. There is also room for wheelchairs.

Presented in partnership with FABRIC as part of our Flanders Focus.

Concept, choreography and performance: Lisa Vereertbrugghen
Sound: Michael Langeder
Lights: Vera Martins
Artistic advice: Madison Bycroft, Sabine Cmelniski, Nestor Garcia Diaz

Coproduction of CENTRALE FIES within the program of LIVE WORKS PERFORMANCE ACT AWARD, STUK, BUDA and BIT Teatergarasjen
With the support of CAMPO, Tanzfabrik, Workspace Brussels and SZENE Salzburg.
Funded by de Vlaamse Overheid and apap – Performing Europe 2020, co-funded by the Creative Programme of the European Union

 

*THIS SHOW IS INCLUDED IN OUR TIERED DISCOUNT OFFER*

New for this year we’re offering a tiered discount on bookings for multiple shows, giving you savings whether you’re planning to attend just a handful or all of them. The more tickets you buy, the more you save.

Buy tickets for 6 shows =10% off
Buy tickets for 9 shows = 15% off
Buy tickets for 12 shows = 20% off

Please note that this discount is only applicable to full-priced tickets, and only on certain shows.

Please see each individual event page to see whether that show is included in the offer.

 

Please note that our ticket purchasing is administered by Midlands Arts Centre. If you are an existing customer of Midlands Arts Centre, please use your account login details to purchase Fierce Festival tickets on this website.

Fierce Says

If you liked 'Every Body Electric' in 2019 or 'PILGRIM' in 2017 then this is a show for you. Let's be honest, gabba doesn't have the best reputation amongst sub genres of techno. This performance explores the potential of the music and its hard reputation, to allow us to be a bit... softer. The gabba moves are also particularly impressive.

Details

UK Premiere

Melk Prod. / Marco Berrettini (Geneva)

iFeel2

Sunday 20 October 2019, 7.45pm

Birmingham Hippodrome, Thorp Street
Birmingham, B5 4TB United Kingdom
+ Google Map

Presented in partnership with and supported by DanceXchange. Presentation supported by Swiss Arts Council Pro Helvetia and Stanley Thomas Johnson Foundation.

70 mins
Marco Berrettini

Credit M. Jeanson

Marco Berrettini

Credit M. Jeanson

Marco Berrettini

Credit M. Jeanson

Marie-Caroline Hominal is Raymonda, Marco Berrettini is Taylor. A dance begins…

A young woman and a middle-aged man, half naked in a tropical dream world boasting floating plants. They are being watched. An erotic female voice sings strange associations with nature. The elegant trance they trace out is done so according to a minimalist and repetitive structure based on the residue of social dances, which are then mirrored.

Taking inspiration from the book ‘You Must Change Your Life’ by German philosopher Peter Sloterdijk, Berrettini revisits the age old question: why are we here, on this earth? A former student of Pina Bausch, Berrettini was the German disco-dancing champion at the age of 15!

Artistic direction and conception – Marco Berrettini
Scenography and lighting – Victor Roy
Choreography – Marco Berrettini in collaboration with Marie-Caroline Hominal
Technical direction – Thierry Court
Performance – Marco Berrettini, Marie-Caroline Hominal, Samuel Pajand
Administration and distribution –  Tutu Production
Production – *MELK PROD.
Music – Summer Music
Co-production – adc Genève
Supported by Ville de Genève, Pro Helvetia Swiss Arts Council, Loterie romande, DRAC Île-de-France, Ernst Göhner Stiftung, CORODIS

Fierce Says

Brilliant Simone Aughterlony (Fierce Festival 2015 & 2017) introduced us to Marco. This was the first piece we confirmed for this year’s festival, and we always knew it had to close proceedings. As the final curtain comes down and the Fierce community disperses once again join us for this near mystical performance and wonder if it was all a dream.

Details

Sunday 20 October 2019

7.45pm

DanceXchange, Patrick Studio

£12 – £10

Tickets not on sale

Ellen Furey & Malik Nashad Sharpe (Montreal / London)

SOFTLAMP.autonomies

Thursday 17 October 2019, 9.00pm

Birmingham Hippodrome, Thorp Street
Birmingham, B5 4TB United Kingdom
+ Google Map

Presented in partnership and with the support of DanceXchange

65 mins
Ellen Furey + Malik Nashad Sharpe

Credit De Kinga Michalska

Ellen Furey + Malik Nashad Sharpe

Credit Ian Douglas

Two figures dressed in white, electronic music and a drifting voice sending Yung Hurn’s dreams of and appeals to togetherness – “Baby, you wanna chill and stuff  / Fly with me through Vienna and stuff  ”– as well as the effect of pills into space in a loop.

In this meditative, hypnotic dance trip through the spheres of the now, Ellen Furey from Montreal and London-based New York dance artist Malik Nashad Sharpe celebrate a future without authorities and constraints.

They emerge from the darkness of the dancefloor until they reach a deep blue in which they abandon themselves completely in the rhythms of their unison movements. In the end, it becomes clear that this is to be understood as a dance of resistance.

 

‘The performance creates a powerful and cohesive affective field that nonetheless permits a wide variety of responses to coexist: delight, stupor, impatience, awe, reverie, and, for me, a moment of pure adrenalized thrill.’

– Contemporary Performance

Fierce Says

We love a recommendation, and this piece got several not least from Antonija Livingstone who performed at Fierce Festival 2015. It’s also brilliant to have Malik back at Fierce who premiered their show $elfie$ here in 2017 along with Ellen Furey – a major new voice on the Montreal scene.

Details

Thursday 17 October 2019

9.00pm

DanceXchange, Patrick Studio

£13 – £11

Tickets not on sale