SaVAge K’lub (Auckland)

Vā TAMATEA

Saturday 30 April 2022Sunday 13 November 2022

Chamberlain Square
Birmingham, B3 3DH
+ Google Map

Birmingham 2022 Festival Presents
In partnership with Birmingham Museums Trust
Open Monday to Sunday, 10am to 5pm

Free

Molana Sutton, photograph by Pati Solomona Tyrell

James Waititi, photograph by Pati Solomona Tyrell

Rosanna Raymond, photograph by Pati Solomona Tyrell

SaVAge K’lub installation at the 8th Asia Pacific Triennial

New Zealand/Aotearoa artists Rosanna Raymond and Jaimie Waititi present the inaugural Birmingham SaVĀge K’lubroom within Birmingham Museum & Art Gallery. The SaVĀge Kʻlub est. 2010 by Rosanna Raymond, a convergence of moana makers, queer indigenous and savage vessels birthed in the tentacles of the great wheke, separate but collective. Vā is a Samoan word referring to space, defining it as something active, binding people and things together in reciprocal relationships. The vā is ever present, central in the name we call ourselves, SaVĀge, relational in connection with all, unified, sites of origin and movement.

Tamatea, a lunar phase in te ao Māori, inextricably tethered to our moana, shifting us too – currents, waves, motion, energies exchanging in the waxing and waning, reminding us of the complexity of relationships that conflict can converge – a force for change.

Vā TAMATEA is the calm surface above the churning currents that unearth tāonga (treasures) from Birmingham’s Pacific collections. SaVĀge K’lub is interested in the rupture of the Vā that was brought about by the exchange of tāonga during ‘first contact’ between European explorers and Polynesian peoples.

Bringing together tāonga from SaVĀge K’lub members and Birmingham’s collection with contemporary art works, installation and spoken word, the Birmingham SaVĀge K’lubroom presents a lush, earthy and playful space to gather and connect in, activated by a programme of screenings, talks and Mamalu-Dignity, a workshop led by Rosanna Raymond

Generously supported by the Paul Hamlyn Foundation, National Lottery Community Fund, Canada Council for the Arts, High Commission of Canada and Creative New Zealand.

The installation forms part of the Healing Gardens of Bab, presented by Fierce as part of the Birmingham 2022 Festival. Fierce will transform a number of locations in Birmingham city centre with unique installations, art and events for everybody, led by a steering group of 5 future LGBTQIA+ arts leaders based in the West Midlands collaborating with artists from Canada to New Zealand.

 

Artist Biographies

Rosanna Raymond
Sistar S’pacific, aka Rosanna Raymond, is an innovator of the contemporary Pasifika art scene as a long-standing member of the art collective the Pacific Sisters, and the founding member of the SaVĀge K’lub. Raymond has achieved international renown for her performances, installations, body adornment, and spoken word.

Jaimie Waititi
Jaimie (James) Waititi (Te Whānau a Apanui, Te Rarawa, Ngāpuhi) is a interarts, gender fluid artist who works within performance, regalia, lens-based media, image making, sound and installation. Their work explores the environment, racial and cultural politics and the gender and queer spectrum. They are obsessed with tipuna mātauranga (ancient Māori stories) and exploring these narratives through modern methods of storytelling.

Healing Gardens of Bab Funders

Details

Saturday 30 April 2022Sunday 13 November 2022

Industrial Gallery, Birmingham Museum & Art Gallery

Club Até (Sydney)

In Muva We Trust

Thursday 30 June 2022Saturday 9 July 2022

Birmingham, B3 3AX United Kingdom + Google Map

Birmingham 2022 Festival Present

Daily, Dusk til 11.00pm

Free

IMAGE: TRISTAN JALLEH & CLUB ATÉ

Projections on the exterior of a building

Bhenji Ra & Justin Shoulder

For just ten nights, after sunset, Chamberlain Square is briefly transformed by a colossal projected artwork inspired by Filipino folklore narratives by Club Até, a collective from Sydney.

Audiences are invited to encounter a large-scale installation, immersing themselves in the mythical Skyworld – a place of possibility and potential – experiencing how we can live in harmony with our environment. In Muva We Trust provides an opportunity for hopeful reflection at a moment in time where, collectively, we feel vulnerable and overwhelmed by both our recent compulsory social disconnect and the deepening climate crisis.

On the final night of In Muva We Trust, Club Muva rolls into town for a very special evening of vibrant pageantry at Symphony Hall – book your free tickets now.

In Muva We Trust is by Club Até and produced by Insite Arts

In Muva We Trust & Club Muva are presented as part of the UK/Australia Season 2021-22, a major programme of cultural exchange taking place across the two nations. Supported by Australia Council for the Arts and Australian Government RISE Fund and Department of Foreign Affairs and Trade.

 

Audio Descriptions

IN MUVA WE TRUST | PART ONE: INTRODUCTION
Click below to listen to Club Ate artists introduce the video artwork.
2 minutes.

IN MUVA WE TRUST | PART TWO: DESCRIPTION
Click below to listen to Club Ate artists describe the video artwork. Please wait until you hear the first sound cue, the sound of water cascading, to start the description in sync with the video.
6 minutes, 20 seconds.

 

Artist Biography

Club Até is an art collective based on the unceded lands of Sydney, led by interdisciplinary performance artists Justin Shoulder and Bhenji Ra.

They frequently collaborate with associate artists: Matthew Stegh, set and costume designer; Tristan Jalleh, digital video artist and music video director; and Corin Ileto, composer and electronic music producer, as well as their LGBQTIA+ artistic community.

Concerned with the dissection of cultural theory and identity, Club Até centralise their own personal histories and the narratives within their community, as tools to reframe performance. Their practice transverses sculpture; video; media; performance; and club events, with an emphasis on community nurture and activation. 

The work of Club Até is informed by the artists’ shared Filipino / Australian ancestry and the collective is invested in creating their own Future Folklore. They actively seek out collaborations with members of the queer Asia Pacific diaspora in Australia and the Philippines with the objective of finding collaborative meeting points, to celebrate voices of diversity.

Club Até have been invited and commissioned to perform and exhibit their works across Australia and internationally, in a diverse range of spaces and settings including festivals, independent and institutional galleries, theatres, nightclubs and outdoor environments. Their work has been presented at the Sydney Biennale Nirin 2020; Enlighten Festival 2020, National Gallery of Australia; Asialink Residency hosted by Green Papaya Arts, Philippines 2018; Balik Bayan, Blacktown Arts Centre, 2017; AsiaTOPA 2017 ACMI; M+ Museum in Hong Kong, Fault-lines: Disparate and Desperate Intimacies, ICA Singapore, 2016; 8th Asia Pacific Triennial of Contemporary Art, Gallery of Modern Art Brisbane, 2015-16, Sydney MCA and Art Gallery of NSW.

 

Details

Thursday 30 June 2022Saturday 9 July 2022

Chamberlain Square