In Untitled (Nostalgia, Act 3) the South-African born, Europe-based choreographer Tiran Willemse invokes his own multiple histories of dance through a kaleidoscope of the 19th century ballet classic Giselle, the Kuduro from Angola, and the Nigerian genre Alanta. The ghost story of Giselle becomes the primary vehicle through which Willemse gives his past selves space to be as they are – ghosts, not dead, who have not left fully, though they may have been asked to. Both an exercise and an exorcism, Untitled (Nostalgia, Act 3) is an evocation of Black experience within European contexts, and a thinly veiled masquerade of its absurdities. As differently gendered bodies claim space for expression, their haunting simultaneously haunts cisnormativity.
What bubbles to the surface may be headless but it’s not shy. The emerging dance is simultaneously a solo by Willemse and an ensemble performed with the unresolved tensions that move him. In limbo between presence and absence, these bodies -rendered invisible, suppressed, (as certain histories often are) invited, or not- have nevertheless come back to reclaim Willemse’s body. These multiple consciousnesses are given the room to rehearse both as and with Willemse, a repétition (rehearsal) with a difference.
The 3:30pm performance of Untitled (Nostalgia, Act 3) on Sunday 20 October is included in our Bear (AKA Full Week) and Otter (Weekend Max) Passes. Click here for more information about our passes.
Credits
Concept, Artistic Direction & Performance: Tiran Willemse
Dramaturgy: Andros Zins-Browne
Music: Tobias Koch
Choreographic Advice: Laurent Chétouane
Light Design: Fudetani Ryoya
Light Operator: Max Windisch-Spoerk
Sound Operator: Thibault Villard
Production: Paelden Tamnyen, Rabea Grand
Co-Production: Gessnerallee Zürich, Arsenic – Contemporary Performing Arts Center, Lausanne
Supported by: Stadt Zürich Kultur, Fachstelle Kultur Kanton Zürich, Pro Helvetia, Schweizerische Interpretenstiftung SIS, Migros-Kulturprozent
Fierce Says
Tiran is a compulsively watchable performer with an innate understanding of his body’s relationship to space. This one’s a beauty.