SaVĀge K'lub (Aukland)

Prints of Paradise

Sunday 16 October 2022, 2.00pm5.00pm

Chamberlain Square
Birmingham, B3 3DH
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Free

Person leaning against a table full of art materials

Numa Natures Gentleman

Person standing in an apron in front of a table full of art materials

Numa Natures Gentleman

SaVĀge K’lub presents Prints of Paradise.

Join SaVĀge K’lub print maker, Numa Natures Gentleman, for 3 hours of screen printing in the participation zone in the Birmingham Museum’s industrial gallery. Explore wood block and stencil print making with markings and designs from Te Moana nui a Kiwa (Pacific Ocean) including a special SaVĀge K’lub stencil.

BYO shirts and material to upcycle into something new and original.

This is a free, drop-in event.

Artist Biography

Numangatini Fraser Mackenzie aka Numa natures gentleman is an interdisciplinary artist working in large scale murals, tatau patterns and mixed media installation. His practice centres on the exploration of urban space and the processes of buildingconnections to his Pacific heritage. His research engages with literature on Oceanic art, museum collections as well as collaborations with living practitioners of art forms ranging from tatau, painting and to voyaging/navigation, printing and street art. He is actively involved in cultural heritage projects, research and community development in Aotearoa.

Numa has been a hradcore member of SaVĀge K’lub for 10 years. He has been printing through wood block and stencils sharing our history through our designs and patterns. He looks forward to bringing the fun of making and creating which is a core feature of SaVĀge K’lub.

Details

Sunday 16 October 2022

2.00pm

Industrial Gallery, Birmingham Museum & Art Gallery

Cade & MacAskill (Glasgow)

Digital Edition: The Making of Pinocchio

Tuesday 11 October 2022Sunday 16 October 2022

Commissioned by Fierce Festival, Kampnagel, Tramway & Vooruit with support from Attenborough Centre of the Arts, Battersea Arts Centre and LIFT. Produced by Artsadmin.
Not included in our tiered discount offer.

90 mins £9/£7

There is no strobes, flashing lights or haze
There is a short section with loud music
There are no moments of complete blackness
Contains nudity
The show briefly talks about transphobia, and sometimes explores the exploitation and misrepresentation of trans people’s lives and bodies. Fuller information is available further down the page.

Two people sit in directors chairs against a wooden backdrop. They are being filmed by a person holding a camera made from wood.

Watch at home – the Digital Edition of The Making of Pinocchio

A true tale of love and transition told through the story of Pinocchio. 

In this hybrid of theatre and film, shot and edited all in one take, you are invited to go behind the scenes of Cade & MacAskill’s creative process and their relationship, and question what it takes to tell your truth.

Artists and lovers Rosana Cade and Ivor MacAskill have been creating The Making of Pinocchio since 2018, alongside and in response to Ivor’s gender transition. In this digital edition of the work, their tender and complex autobiographical experience meets the magical story of the lying puppet who wants to be a ‘real boy’.

With an ingenious scenography designed by Tim Spooner, layered with sound by Yas Clarke, lights by Jo Palmer and cinematography from Kirstin McMahon, the show employs split-screen, forced perspective and intimate close ups to constantly shift between between fantasy and authenticity, humour and intimacy, on stage and on screen. The Making of Pinocchio joyfully embraces the importance of imagination in queer worldmaking and the idea of transness as a state of possibility that can trouble fixed perspectives and inspire change

 

How to Watch

  • Book a ticket
  • You will receive an email on Tuesday 11th containing an online video link and unique password
  • You will be able to watch stream the performance from 11 October until midnight on Sunday 16 October.
*PLEASE NOTE THIS EVENT IS NOT INCLUDED IN THE TICKET DISCOUNT SCHEME.*Please note that our ticket purchasing is administered by Midlands Arts Centre. If you are an existing customer of Midlands Arts Centre, please use your account login details to purchase Fierce Festival tickets on this website.

 

Artists

‘The duo holds the audience with a brand of mischievous humour that’s provocative and reassuring in equal measure.’ Exeunt


Cade & MacAskill are Rosana Cade (they/them) and Ivor MacAskill (he/him): renowned queer artists and facilitators based in Glasgow, Scotland. Their work, together and individually, straddles the worlds of experimental contemporary theatre, live art, queer cabaret, film, children’s performance, site specific, and socially engaged practices. 

Their collaboration is born from a shared love of subversive humour, experimentation with persona and text, playful theatricality, and the joy they find in improvising together. They also share a passion for LGBTQIA+ rights and culture. They create strange, rich aesthetic worlds on stage, with unique sonic elements embedded into their work due to ongoing collaboration with sound artist and designer Yas Clarke.

In 2017 they were commissioned by Fierce – Birmingham, The Marlborough – Brighton, and The Yard – London, to create Moot Moot which premiered early 2018. This was then selected as part of the British Council Showcase and the Made in Scotland Showcase at the Edinburgh Festival Fringe 2019, where it enjoyed a sell-out run at Summerhall, and they began to tour this show across Europe before the pandemic hit.

Since 2018 they have been working on ‘The Making of Pinocchio’, which was supported though residencies at Gessnerallee in Zurich and Mousonturm in Frankfurt, as well as The Diane Torr Award bursary. They also regularly perform across club, music and performance contexts as their experimental concept band ‘Double Pussy Clit Fuck’. Footage from these gigs has inspired the creation of two new video works during the Covid Pandemic: ‘Taps Aff’, and ‘Presenting Our Selves’. The latter was commissioned by The Place – London for Splayed festival 2020, and selected as part of Scottish Queer International Film festival 2021. 

They are both experienced facilitators and trained volunteers with LGBT Youth (Glasgow). They are currently in the process of setting up a co-operative to open a new LGBTQIA+ second-hand shop / community space in Glasgow.



Credits

Commissioned by Fierce Festival, Kampnagel, Tramway & Viernulvier with support from Attenborough Centre of the Arts, Battersea Arts Centre and LIFT.
Produced by Artsadmin.
Funded by Creative Scotland, Arts Council England and Rufolf Augstein Stiftung with development support from The Work Room/Dianne Torr Bursary, Scottish Sculpture Workshop, National Theatre of Scotland, Live Art Development Agency, Gessnerellee, Mousonturm, Forest Fringe, West Kowloon Cultural District & LGBT Health & Wellbeing Scotland.

Created by Rosana Cade & Ivor MacAskill
Performed by Rosana Cade, Ivor MacAskill, Jo Hellier & Tim Spooner
Set, Prop & Costume Designer: Tim Spooner
Sound Designer: Yas Clarke

Cameras: Jo Hellier
Lighting Designer: Jo Palmer

Cinematographer: Kirstin McMahon and Jo Hellier
Producer: Artsadmin

Production Manager: Sorcha Stott-Strzala

Outside Eye: Nic Green

Movement advisor: Eleanor Perry
Captioning: Collective Text; Emilia Beatriz, Daniel Hughes with Rosana Cade, Yas Clarke, Ivor MacAskill, and Jamie Rea

Fierce Says

You may well remember Cade & MacAskill from their performance as Double Pussy Clit F*ck at Fierce Festival 2017, or for their hit show Moot Moot that we presented in 2018. This is their richest work to date, set behind the scenes of a movie: Pinocchio. Seriously, don't miss the latest hit Fierce commission. It's brilliant!

Details

Tuesday 11 October 2022Sunday 16 October 2022

Liz Ord (Birmingham)

Peaked too Soon

Tuesday 11 October 2022Saturday 15 October 2022

Free

- Flashing lights
- Smoking representation
- Loud sound
- Themes of mental breakdown

In this performance Liz relives the glazed moments of ecstasy working as a fashion model and tries to style out the inevitable prevailing silence. Celebrity voyeurism, tantrums turned memes, cigarette break chic… Screenshot the anguish and calling it a #MondayMood ;)

“Maybe you peaked too soon?”
I think that’s a bit harsh Mum. I must have burst out of that cake a hundred times but no one ever offered me a slice.

Lookout for this performance popping up at the following moments during the festival.

Tuesday 11 October, 7.15pm
Warwick Arts Centre, Foyer (before Farm Fatale)
Free

Saturday 15 October, 8.15pm
Midlands Arts Centre, Foyer (after Lavagem)
Free

Details

Tuesday 11 October 2022

7.15pm

Warwick Arts Centre

Saturday 15 October 2022

8.15pm

Midlands Arts Centre

Liz Ord (Birmingham)

Peaked too Soon

Tuesday 11 October 2022Saturday 15 October 2022

Free

- Flashing lights
- Smoking representation
- Loud sound
- Themes of mental breakdown

In this performance Liz relives the glazed moments of ecstasy working as a fashion model and tries to style out the inevitable prevailing silence. Celebrity voyeurism, tantrums turned memes, cigarette break chic… Screenshot the anguish and calling it a #MondayMood ;)

“Maybe you peaked too soon?”
I think that’s a bit harsh Mum. I must have burst out of that cake a hundred times but no one ever offered me a slice.

Lookout for this performance popping up at the following moments during the festival.

Tuesday 11 October, 7.15pm
Warwick Arts Centre, Foyer (before Farm Fatale)
Free

Saturday 15 October, 8.15pm
Midlands Arts Centre, Foyer (after Lavagem)
Free

Details

Tuesday 11 October 2022

7.15pm

Warwick Arts Centre

Saturday 15 October 2022

8.15pm

Midlands Arts Centre

Nicholas Ridout & Dhanveer Singh Brar

Talk: Performance, Possession & Automation with performance by Eirini Kartsaki

Friday 14 October 2022, 11.00am12.00pm

Broad Street
Birmingham, B1 2EA United Kingdom
+ Google Map
60 mins. Free

Free

Eirini Kartsaki

Join Nicholas Ridout and Dhanveer Singh Brar in conversation about their new 3-year research project, Performance, Possession & Automation.

The project brings together academics and artists to investigate the resistant power of ‘spirit possession’, the contemporary rise of automation, and their entanglement with histories of colonial slavery. How is contemporary performance shaped by and responding to these experiences?

This launch event will also feature a performance from the project’s commissioned artists, Eirini Kartsaki and Nicol Parkinson:

anomalopteryx

Anomalopteryx is a flightless bird, known as a lesser bird, only slightly taller than a turkey. A play of movement in and out of sense, in other words, speeches and sounds.

Performance, Possession & Automation is funded by the Arts and Humanities Research Council, supported by Queen Mary University of London and University of Leeds, in partnership with Fierce and Transform, and with the collaboration of performingborders.

Details

Friday 14 October 2022

11.00am

Festival Hub @ Symphony Hall

Saeborg (Tokyo)

Talk: Half Human, Half Toy

Friday 14 October 2022, 2.00pm3.00pm

Broad Street
Birmingham, B1 2EA United Kingdom
+ Google Map

In partnership with the University of Sheffield. Supported by the Daiwa Foundation and the Great Britain Sasakawa Foundation.

60 mins. Free

Free

A latex pig with it's middle portion missing revealing it's ribcage and organs. It looks into the camera with a surprised look and it's hoofs by it's face.

”Saepork-1” photo:ZIGEN

A giant latex pig poses lying partially on the ground and partially sat up.

”Saepork-1” photo:ZIGEN

Tokyo-based artist Saeborg describes themselves as “an imperfect cyborg – half human, half toy”. Their work emerged out of the queer club scene in Tokyo, each piece beginning as a costume for Department-H, a nightclub and fetish party that has been running in the city since the early 1990s.

Saeborg creates inflatable worlds of latex, nightmarish and cute configurations that are stages for huge toy-like creatures to perform mythical fables of life and death. Saeborg’s aim in making these works, is “to transcend gender” and to move beyond the restrictions of human bodies to escape strict gender roles in Japanese culture. Using livestock and insects as analogies for society’s expectations and treatment of women, Saeborg creates worlds that are inhabited by creatures that “humans consider the basest of our ecosystem”.

Saeborg also presents their performance Pig Pen, as part of our party – Club Fierce: The Ho Down.

Saeborg, assisted by a translator, will be in conversation with Mark Pendleton from the University of Sheffield. Dr Mark Pendleton is Senior Lecturer in Japanese Studies at the University of Sheffield.

Details

Friday 14 October 2022

2.00pm

Festival Hub @ Symphony Hall

Festival Late Night Bar

Feat. enormousface, 火山 + HighSeas

Wednesday 12 October 2022Friday 14 October 2022

Broad Street
Birmingham, B1 2EA United Kingdom
+ Google Map

18+

4 hours

Free

火山 + HighSeas

enormousface

Sexy Roy

DJ Forgets (Energy Flow)

Rizmi

Join us to hang out and discuss the days performances at our Festival Late Night Bar Wednesday to Friday in the Festival Hub at B:Music Symphony Hall. Expect late night DJs, nihilist puppetry, flora and fauna and skyline city centre views.

Each night at midnight enormousface presents one of their infamous anarchist nihilist philosophy puppet shows. Floral arrangements come courtesy of 火山 + HighSeas a collaboration between 台中 (Taichung) and Birmingham. Plus nightly soundtracks from some of Birmingham’s weirdest selectors.

Soundtracks provided by…

Wednesday: DJ Forgets (Energy Flow)

Thursday: Sexy Roy

Friday: Rizmi

Fierce Says

WHAT HAPPENS IN THE FESTIVAL LATE NIGHT BAR STAYS IN THE FESTIVAL LATE NIGHT BAR

Details

Wednesday 12 October 2022Friday 14 October 2022

Festival Hub @ Symphony Hall

SaVAge K'lub (Auckland)

In Conversation

Sunday 16 October 2022, 12.30pm1.45pm

Broad Street
Birmingham, B1 2EA United Kingdom
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Supported by Creative New Zealand

75 mins

Free

Rosanna Raymond, photograph by Pati Solomona Tyrell

Sistar S’pacific, aka Rosanna Raymond, is an innovator of the contemporary Pasifika art scene as a long-standing member of the art collective the Pacific Sisters, and the founding member of the SaVĀge K’lub. Raymond has achieved international renown for her performances, installations, body adornment, and spoken word. Rosanna will be in conversation with other members of the SaVAge K’lub as they discuss their practice and the creation of their exhibition Vā TAMATEA, currently on show at Birmingham Museum.

Details

Sunday 16 October 2022

12.30pm

Festival Hub @ Symphony Hall

crazinisT artisT, enormousface, Oozing Gloop (Accra / New York City / Berlin)

Talk: Get Out Of My Swamp

Saturday 15 October 2022, 11.30am12.45pm

Broad Street
Birmingham, B1 2EA United Kingdom
+ Google Map
75 mins

Free

Alex Nazarov

Join three singular artistic outsider voices for this discussion that questions our understandings of art, time, humanity and the planet! Themes running throughout the incredible bodies of work by enormousface, crazinisT artisT and Oozing Gloop include the reinvention of the self, the body as political site, swamps, garbage, internet culture and Donna Harraway’s theories of the Chthulucene.

Join this lively discussion as the artists discuss their practice and hopes for the future.

Fierce Says

We couldn't invite these three incredible artists to the festival and not get them together to have a lil chin wag. You're welcome!

Details

Saturday 15 October 2022

11.30am

Festival Hub @ Symphony Hall

UK Premiere

Soya the Cow (Zurich)

in concert

Wednesday 12 October 2022Saturday 15 October 2022

+ Google Map

Supported by Pro Helvetia and the City of Zurich. UK Premiere.

Songs performed are from the perspective of a dairy cow about animal agriculture, factory farms and slaughterhouses. Many difficult topics are sung or spoken about (but not visually shown), which are inherent to these systems.
• forced motherhood
• abuse (physical, mental, verbal, sexual)
• excessive or gratuitous violence
• animal cruelty / death
• death dying
• blood
• torture
• killing
• ecosystem destruction
• loss / grief

Animal rights, climate activism, music and queer feminism – spiced up with a good dose of drag: that’s Soya the Cow. The alter-ego of performance artist, musician and activist Daniel Hellmann, who lives in Zürich and Berlin, blurs the boundaries between male and female, human and cow, and manages the balancing act between a serious desire to change the world and a humorous sense of lightness. After appearing at animal rights and climate protests, in theatres and art festivals, and most recently on The Voice of Germany, the singing drag cow shows up in Birmingham with a musical program full of emotional songs and surprising storytelling that will immerse you in Soya’s fascinating bovine universe. What would our lives look like if we stopped cutting others to pieces? Can we be free if not everyone is free? An intimate, moving and raw performance, that challenges the human self-image as the centre of the universe.

Soya the Cow performs twice for Fierce, first in an intimate concert as part of B:Music’s Musical Meetup series at Symphony Hall on Wednesday 12th October, 11am. Secondly Soya performs at Club Fierce: The Ho Down – really not to be missed!

soyathecow.com

Details

Wednesday 12 October 2022Saturday 15 October 2022

Various venues