Duckie (London)

Princess, Picnic, Promenade

Thursday 14 July 2022Friday 15 July 2022

Birmingham Botanical Gardens, Westbourne Road
Birmingham, B15 3TR United Kingdom
+ Google Map

Birmingham 2022 Festival Present

Interactive theatre from London's Duckie

ACCESS: BSL on Friday 15th. Mobility scooters available on site. Access workers present and Easy Read Guide.

210 mins

May contain nudity, strong language and empire bashing

Person decorated with vegetables and flower pots, standing in a garden.

Duckie Princess: Bird La Bird - photo by Holly Revell

Two people fencing on stage

Duckie Princess: Krishna Istha - photo by Holly Revell

A person in Victorian-style costume, sat on a chair

Duckie Princess: George Chakravarthi - photo by Holly Revell

Love Pikaniks, Hate Empire

Bring a picnic, dress up in your best clothes, tour the beautiful gardens for our interactive theatre show and enjoy queer post-empire pop-up performance from Duckie – featuring artists from South Africa, Ghana, Canada, India, Australia and the UK

Starring Ginny Lemon, George Chakravarthi, Jaivant Patel, Bird la Bird, Krishna Istha, Kieron Jina, Francesca Millican-Slater, Ange Loft, Alaska B, EJ Scott and crazinisT artisT

“The amnesia about British Empire imposes an exaggerated historical distance between our lives today and the period of imperial rule”
Kojo Koram, Uncommon Wealth

Walls Come Tumbling Down!
Adults Only (18+), Bonnets Permitted

The gardens will open for picnics from 7pm, with performance from 7.30pm. The event will close by 10.30pm.

Access

On Friday 15th we will have increased access provisions for d/Deaf and hard of hearing people with BSL interpretation available, and for both performances we will have access hosts who will have noise cancelling headphones, easy read guides, etc.

Access Downloads

Click to download:

Full Easy-Read Guide

About the Event & Performances

This show is still in development. Some of the artists are visiting internationally and the week of the performance will be there first time rehearsing in situ. This means that some of the information in this Easy Read Guide is subject to minor changes.

Getting Around the Event

Getting There

Find more access information about the Botanical Gardens. Mobility scooters are available to borrow.

Tickets for this event are very cheap at a price of just £5 (cheaper than standard admission to the Botanical Gardens), so do please consider a £10 ‘Pay it Forward Ticket’ which buys a ticket for yourself, and also buys a ticket for someone else to attend. To select your ticket type, click the ticket type to reveal drop down menu with other options.

Biographies

Ange Loft
https://www.angeloft.ca/

Ange Loft is an interdisciplinary performing artist and initiator from Kahnawà:ke Kanien’kehá:ka Territory, working in Tsi Tkarón:to. She is an ardent collaborator, consultant, and facilitator working in arts based research, wearable sculpture, theatrical co-creation and Haudenosaunee history. She teaches Story Creation at Centre For Indigenous Theatre (2021) and was the Artist in Residence  at OISEE/ JHI (2021). She’s creating new performance work as Centaur Theatre’s Artist in Residence (2021-22) and as director of the Talking Treaties initiative with Jumblies Theatre + Arts, with projects including; experimental film and workshop series Dish Dances (2021) in collaboration with Centre for Indigenous Theatre, video and installation By These Presents: “Purchasing” Toronto (2019), and outdoor promenade theatre Talking Treaties Spectacle (2017, 2018). Upcoming collaborations include Black Creek Pioneer Village’s Changing the Narrative initiative (2022) and placemaking with the Canadian Centre for Architecture (2022). Ange’s been the Associate Artistic Director of Jumblies Theatre + Arts since 2015 and a touring vocalist and designer with Yamantaka//Sonic Titan since 2012. She’s holds advisory roles with Native Women In the Arts as a Board member (2021), OCAD University’s Indigenous Education Council (2021), City of Toronto Indigenous Arts and Cultural Advisory for the Indigenous Arts and Culture Partnerships Fund (2018), and Toronto Biennial of Art Advisory Council (2018-21).

Alaska B
https://www.alaskab.ca/

Based in Toronto, Ontario, alaska has a Bachelor in Interdisciplinary Arts from Concordia University, a degree in Computer Animation from Sheridan college, and a passion for exploring the intersection between media and technology. Known for her problem solving skills, creative approach, and mix of expertise, her practice moves fluidly between digital media production, installation and musical performance. Her unique skill range has seen her trouble shoot as theatrical technician for large scale community engaged performances; produce and present her own animations and intermedia creations; and to build a striking musical catalogue that is grand in scope. As a composer and performer, her award-winning film and game scores (Canadian Screen Award 2019, Canadian Game Awards 2016) and songwriting (Polaris Prize nominated, Juno Awards nominated) have been heard all over the world. Her film work includes Through Black Spruce (2018) and Michael Shannon Michael Shannon John (2015). Her video game credits include Mark of The Ninja (2012) and the critically acclaimed Severed (2016, PS VITA, 3DS, WiiU, Switch, iOS).

Bird La Bird
https://www.birdlabird.co.uk/

Bird la Bird is an artist who straddles comedy and performance art. Drawing on her love of history and art Bird has created highly popular queer people’s history tours of the V&A, Tate Britain, the National Portrait Gallery and the City of London.

E-J Scott
https://www.e-jscott.com/home/media

E-J Scott is a curator, cultural producer and academic and was awarded the UK’s Museum Activist Award 2020/21. He is the founder of the museumoftransology.com and the British Digital Art Network (Tate/Paul Mellor Research Centre). He is Stage 2 and 3 Leader of the BA (Hons) Culture, Curation & Criticism at Central St Martins.

Kieron Jina
https://kieronjina.com/

Kieron Jina, based in Johannesburg, South Africa, specializes in performance art, choreography, photography and video art to tell personal stories that are underpinned by activism and to challenge stereotypes. He has an MA in Drama from the University of the Witwatersrand, Johannesburg. Jina was awarded Mail & Guardian’s 200 Young South Africans: Arts and Culture, category for performance art. Furthermore, he was awarded danceWEB Scholarship at the ImPulsTanz – Vienna International Dance Festival. Jina has won multiple awards including the Ovation Award for choreography at the National Arts Festival & the Goethe-Institute International Coproduction Fund to create “Down to Earth” at Tanzfabrik Berlin. Jina completed artistic residencies that lead to collaborative performances and art creations in Brazil, Germany, Austria, France, Réunion, Nigeria, Tanzania, South Korea and Switzerland. He is the founder and curator of Queer Art Night South Africa and is currently touring with “#FemmeInPublic”, “Down to Earth” and “PINK MON€Y”.

Jina is creating more spaces for art that exists for people of colour (POC) and indigenous performance practices from different African regions. Jina is particularly interested in the challenges and complexities of the transitional millennial generation — a generation that experienced the end and fall of apartheid only to be flung into a country still grappling with its own trauma and healing. Jina studies this dynamic particularly in their exploration of the shifting identities of queer people of colour, a group that features centrally in their work.

Healing Gardens of Bab Funders

Fierce Says

We love Duckie - perhaps best known for their Saturday night residency at London's Royal Vauxhall Tavern and winning an Olivier award! They haven't been to Birmingham since Fierce's 10th Birthday in 2007, when they threw us a horrible "children's party" hosted by David Hoyle. This will be unmissable!

Details

Thursday 14 July 2022

7.00pm

Birmingham Botanical Gardens

£10.00 – £0.00

Tickets not on sale

Friday 15 July 2022

8.00pm

Birmingham Botanical Gardens

£10.00 – £0.00

Sold out!

Duckie (London)

Princess, Picnic, Promenade

Thursday 14 July 2022Friday 15 July 2022

Birmingham Botanical Gardens, Westbourne Road
Birmingham, B15 3TR United Kingdom
+ Google Map

Birmingham 2022 Festival Present

Interactive theatre from London's Duckie

ACCESS: BSL on Friday 15th. Mobility scooters available on site. Access workers present and Easy Read Guide.

210 mins

May contain nudity, strong language and empire bashing

Person decorated with vegetables and flower pots, standing in a garden.

Duckie Princess: Bird La Bird - photo by Holly Revell

Two people fencing on stage

Duckie Princess: Krishna Istha - photo by Holly Revell

A person in Victorian-style costume, sat on a chair

Duckie Princess: George Chakravarthi - photo by Holly Revell

Love Pikaniks, Hate Empire

Bring a picnic, dress up in your best clothes, tour the beautiful gardens for our interactive theatre show and enjoy queer post-empire pop-up performance from Duckie – featuring artists from South Africa, Ghana, Canada, India, Australia and the UK

Starring Ginny Lemon, George Chakravarthi, Jaivant Patel, Bird la Bird, Krishna Istha, Kieron Jina, Francesca Millican-Slater, Ange Loft, Alaska B, EJ Scott and crazinisT artisT

“The amnesia about British Empire imposes an exaggerated historical distance between our lives today and the period of imperial rule”
Kojo Koram, Uncommon Wealth

Walls Come Tumbling Down!
Adults Only (18+), Bonnets Permitted

The gardens will open for picnics from 7pm, with performance from 7.30pm. The event will close by 10.30pm.

Access

On Friday 15th we will have increased access provisions for d/Deaf and hard of hearing people with BSL interpretation available, and for both performances we will have access hosts who will have noise cancelling headphones, easy read guides, etc.

Access Downloads

Click to download:

Full Easy-Read Guide

About the Event & Performances

This show is still in development. Some of the artists are visiting internationally and the week of the performance will be there first time rehearsing in situ. This means that some of the information in this Easy Read Guide is subject to minor changes.

Getting Around the Event

Getting There

Find more access information about the Botanical Gardens. Mobility scooters are available to borrow.

Tickets for this event are very cheap at a price of just £5 (cheaper than standard admission to the Botanical Gardens), so do please consider a £10 ‘Pay it Forward Ticket’ which buys a ticket for yourself, and also buys a ticket for someone else to attend. To select your ticket type, click the ticket type to reveal drop down menu with other options.

Biographies

Ange Loft
https://www.angeloft.ca/

Ange Loft is an interdisciplinary performing artist and initiator from Kahnawà:ke Kanien’kehá:ka Territory, working in Tsi Tkarón:to. She is an ardent collaborator, consultant, and facilitator working in arts based research, wearable sculpture, theatrical co-creation and Haudenosaunee history. She teaches Story Creation at Centre For Indigenous Theatre (2021) and was the Artist in Residence  at OISEE/ JHI (2021). She’s creating new performance work as Centaur Theatre’s Artist in Residence (2021-22) and as director of the Talking Treaties initiative with Jumblies Theatre + Arts, with projects including; experimental film and workshop series Dish Dances (2021) in collaboration with Centre for Indigenous Theatre, video and installation By These Presents: “Purchasing” Toronto (2019), and outdoor promenade theatre Talking Treaties Spectacle (2017, 2018). Upcoming collaborations include Black Creek Pioneer Village’s Changing the Narrative initiative (2022) and placemaking with the Canadian Centre for Architecture (2022). Ange’s been the Associate Artistic Director of Jumblies Theatre + Arts since 2015 and a touring vocalist and designer with Yamantaka//Sonic Titan since 2012. She’s holds advisory roles with Native Women In the Arts as a Board member (2021), OCAD University’s Indigenous Education Council (2021), City of Toronto Indigenous Arts and Cultural Advisory for the Indigenous Arts and Culture Partnerships Fund (2018), and Toronto Biennial of Art Advisory Council (2018-21).

Alaska B
https://www.alaskab.ca/

Based in Toronto, Ontario, alaska has a Bachelor in Interdisciplinary Arts from Concordia University, a degree in Computer Animation from Sheridan college, and a passion for exploring the intersection between media and technology. Known for her problem solving skills, creative approach, and mix of expertise, her practice moves fluidly between digital media production, installation and musical performance. Her unique skill range has seen her trouble shoot as theatrical technician for large scale community engaged performances; produce and present her own animations and intermedia creations; and to build a striking musical catalogue that is grand in scope. As a composer and performer, her award-winning film and game scores (Canadian Screen Award 2019, Canadian Game Awards 2016) and songwriting (Polaris Prize nominated, Juno Awards nominated) have been heard all over the world. Her film work includes Through Black Spruce (2018) and Michael Shannon Michael Shannon John (2015). Her video game credits include Mark of The Ninja (2012) and the critically acclaimed Severed (2016, PS VITA, 3DS, WiiU, Switch, iOS).

Bird La Bird
https://www.birdlabird.co.uk/

Bird la Bird is an artist who straddles comedy and performance art. Drawing on her love of history and art Bird has created highly popular queer people’s history tours of the V&A, Tate Britain, the National Portrait Gallery and the City of London.

E-J Scott
https://www.e-jscott.com/home/media

E-J Scott is a curator, cultural producer and academic and was awarded the UK’s Museum Activist Award 2020/21. He is the founder of the museumoftransology.com and the British Digital Art Network (Tate/Paul Mellor Research Centre). He is Stage 2 and 3 Leader of the BA (Hons) Culture, Curation & Criticism at Central St Martins.

Kieron Jina
https://kieronjina.com/

Kieron Jina, based in Johannesburg, South Africa, specializes in performance art, choreography, photography and video art to tell personal stories that are underpinned by activism and to challenge stereotypes. He has an MA in Drama from the University of the Witwatersrand, Johannesburg. Jina was awarded Mail & Guardian’s 200 Young South Africans: Arts and Culture, category for performance art. Furthermore, he was awarded danceWEB Scholarship at the ImPulsTanz – Vienna International Dance Festival. Jina has won multiple awards including the Ovation Award for choreography at the National Arts Festival & the Goethe-Institute International Coproduction Fund to create “Down to Earth” at Tanzfabrik Berlin. Jina completed artistic residencies that lead to collaborative performances and art creations in Brazil, Germany, Austria, France, Réunion, Nigeria, Tanzania, South Korea and Switzerland. He is the founder and curator of Queer Art Night South Africa and is currently touring with “#FemmeInPublic”, “Down to Earth” and “PINK MON€Y”.

Jina is creating more spaces for art that exists for people of colour (POC) and indigenous performance practices from different African regions. Jina is particularly interested in the challenges and complexities of the transitional millennial generation — a generation that experienced the end and fall of apartheid only to be flung into a country still grappling with its own trauma and healing. Jina studies this dynamic particularly in their exploration of the shifting identities of queer people of colour, a group that features centrally in their work.

Healing Gardens of Bab Funders

Fierce Says

We love Duckie - perhaps best known for their Saturday night residency at London's Royal Vauxhall Tavern and winning an Olivier award! They haven't been to Birmingham since Fierce's 10th Birthday in 2007, when they threw us a horrible "children's party" hosted by David Hoyle. This will be unmissable!

Details

Thursday 14 July 2022

7.00pm

Birmingham Botanical Gardens

£10.00 – £0.00

Tickets not on sale

Friday 15 July 2022

8.00pm

Birmingham Botanical Gardens

£10.00 – £0.00

Sold out!

Club Até (Sydney)

Club Muva

Saturday 9 July 2022, 10.00pmSunday 10 July 2022, 2.00am

Broad Street
Birmingham, B1 2EA United Kingdom
+ Google Map

Birmingham 2022 Festival Present

240 mins

Flashing lights, loud music

IMAGE: TRISTAN JALLEH & CLUB ATÉ

Lady Shaka

James Indigo

For the Culture Collective

Black Peppa

Romo Weeks

Two people wearing bandanas around their faces.

Club Bandit

An immersive projected artwork – In Muva We Trust  – by the Australian art collective Club Até is set to bathe the façade of BMAG. Accompanying this work will be a community-led celebration, Club Muva, an inclusive and intergenerational extravaganza of vibrant pageantry occupying the foyer of the Symphony Hall for one night only.

Curated especially for Fierce by Club Até, this club night will be the culmination of a community collaboration exploring cultural and artistic meeting points, empowering and celebrating voices of diversity. Expect a night of unique performances, showcasing some of Birmingham’s best trans and QTIPOC performers, artist-activists, cultural collectives and creatives.

The celebratory, inclusive essence of Club Muva will evolve into an audience- led dance party, where anyone and everyone can take centre stage in the dance circle, and featuring a headline DJ set from Aotearoa’s Lady Shaka.

Club Muva seeks to remind us, that as we move, journey and arrive in this world, we remain connected simultaneously to our origin and our new community, forging an integral part of our ever-evolving identity.

Doors will be open from 9pm, with performances starting promptly from 10pm.

FEATURING
Black Peppa
Club Até
Club Bandit
For the Culture Collective
James Indigo
Lady Shaka
Romo Weeks

Produced by Insite Arts.

In Muva We Trust & Club Muva are presented as part of the UK/Australia Season 2021-22, a major programme of cultural exchange taking place across the two nations. Supported by Australia Council for the Arts and Australian Government RISE Fund and Department of Foreign Affairs and Trade.

Artist Biographies

Club Até

Club Até is an art collective based on the unceded lands of Sydney, led by interdisciplinary performance artists Justin Shoulder and Bhenji Ra.

They frequently collaborate with associate artists: Matthew Stegh, set and costume designer; Tristan Jalleh, digital video artist and music video director; and Corin Ileto, composer and electronic music producer, as well as their LGBQTIA+ artistic community.

Concerned with the dissection of cultural theory and identity, Club Até centralise their own personal histories and the narratives within their community, as tools to reframe performance. Their practice transverses sculpture; video; media; performance; and club events, with an emphasis on community nurture and activation.

The work of Club Até is informed by the artists’ shared Filipino / Australian ancestry and the collective is invested in creating their own Future Folklore. They actively seek out collaborations with members of the queer Asia Pacific diaspora in Australia and the Philippines with the objective of finding collaborative meeting points, to celebrate voices of diversity.

Club Até have been invited and commissioned to perform and exhibit their works across Australia and internationally, in a diverse range of spaces and settings including festivals, independent and institutional galleries, theatres, nightclubs and outdoor environments. Their work has been presented at the Sydney Biennale Nirin 2020; Enlighten Festival 2020, National Gallery of Australia; Asialink Residency hosted by Green Papaya Arts, Philippines 2018; Balik Bayan, Blacktown Arts Centre, 2017; AsiaTOPA 2017 ACMI; M+ Museum in Hong Kong, Fault-lines: Disparate and Desperate Intimacies, ICA Singapore, 2016; 8th Asia Pacific Triennial of Contemporary Art, Gallery of Modern Art Brisbane, 2015-16, Sydney MCA and Art Gallery of NSW.

Lady Shaka

Lady Shaka is an Afro Pasifika DJ based in London whose musical selection is a representation of both her queer identity as a femme queen and her connection to the moana (ocean) and her diaspora. Her work aims to re-indigenise and challenge the mainstream with music that is both Pasifika and ancestral. Lady Shaka is known for her work as the director and curator of Pulotu Underworld and work with collectives Filth, Pxssy Palace, Misery and Juicebox. She has featured on platforms such as Boiler Room and Keep Hush and has worked with artists and brands such as IAMDDB, Stella McCartney and Ed Curtis. Lady Shaka has recently toured across Europe and is currently touring New Zealand before her return to the UK.

Club Bandit

Club Bandit is a queer arts and music collective based in Birmingham, founded by an ever-growing family. It is a techno-transcendental space: home of hysterical pleasures and euphoric body liberation, that invites party goers to embrace and express, to connect and create, to lose and to find.

We are thoroughly cross-genre and not aesthetic-bound, but instead encourage our community and family to add and collage the fabric of Club Bandit as time passes. The parties are currently based in Birmingham but our family’s roster (from DJs to visual artists and performers) span out across the UK, and is inherently multinational and multicultural.

Black Peppa

Black Peppa is The Caribbean Empress Drag Performer, conceptual and visual artist, model and dancer currently based in Birmingham UK. They have toured and performed across stages in the UK whilst exploring the possibilities of what the future of drag can look like in a digitised reality.

Romo Weeks

Birmingham based artist Romo Weeks has established themselves as an assured and ever evolving DJ, radio host and producer. A long standing resident of Moho and member of the Selextorhood collective, Romo Weeks is notorious for their effortless ability to command a dance floor. Romo is part of a generation blurring the lines between hip hop, reggaeton and electronic music; this balancing of styles can be heard through their heavily experimental monthly 1020 Radio Shows.

Their latest full length mixtape encapsulates their genre bending but cohesive style, showcasing their ever exciting and undeniable talent in music production. Their music has been featured on 1Xtra, NTS and Boiler Room and their remixes can regularly be heard at festivals and clubs across the globe.

Healing Gardens of Bab Funders

Details

Saturday 9 July 2022, 10.00pmSunday 10 July 2022, 2.00am

Symphony Hall

£0.00

Tickets not on sale

SaVAge K’lub (Auckland)

Vā TAMATEA

Saturday 30 April 2022Sunday 13 November 2022

Chamberlain Square
Birmingham, B3 3DH
+ Google Map

Birmingham 2022 Festival Presents
In partnership with Birmingham Museums Trust
Open Monday to Sunday, 10am to 5pm

Free

Molana Sutton, photograph by Pati Solomona Tyrell

James Waititi, photograph by Pati Solomona Tyrell

Rosanna Raymond, photograph by Pati Solomona Tyrell

SaVAge K’lub installation at the 8th Asia Pacific Triennial

New Zealand/Aotearoa artists Rosanna Raymond and Jaimie Waititi present the inaugural Birmingham SaVĀge K’lubroom within Birmingham Museum & Art Gallery. The SaVĀge Kʻlub est. 2010 by Rosanna Raymond, a convergence of moana makers, queer indigenous and savage vessels birthed in the tentacles of the great wheke, separate but collective. Vā is a Samoan word referring to space, defining it as something active, binding people and things together in reciprocal relationships. The vā is ever present, central in the name we call ourselves, SaVĀge, relational in connection with all, unified, sites of origin and movement.

Tamatea, a lunar phase in te ao Māori, inextricably tethered to our moana, shifting us too – currents, waves, motion, energies exchanging in the waxing and waning, reminding us of the complexity of relationships that conflict can converge – a force for change.

Vā TAMATEA is the calm surface above the churning currents that unearth tāonga (treasures) from Birmingham’s Pacific collections. SaVĀge K’lub is interested in the rupture of the Vā that was brought about by the exchange of tāonga during ‘first contact’ between European explorers and Polynesian peoples.

Bringing together tāonga from SaVĀge K’lub members and Birmingham’s collection with contemporary art works, installation and spoken word, the Birmingham SaVĀge K’lubroom presents a lush, earthy and playful space to gather and connect in, activated by a programme of screenings, talks and Mamalu-Dignity, a workshop led by Rosanna Raymond

Generously supported by the Paul Hamlyn Foundation, National Lottery Community Fund, Canada Council for the Arts, High Commission of Canada and Creative New Zealand.

The installation forms part of the Healing Gardens of Bab, presented by Fierce as part of the Birmingham 2022 Festival. Fierce will transform a number of locations in Birmingham city centre with unique installations, art and events for everybody, led by a steering group of 5 future LGBTQIA+ arts leaders based in the West Midlands collaborating with artists from Canada to New Zealand.

 

Artist Biographies

Rosanna Raymond
Sistar S’pacific, aka Rosanna Raymond, is an innovator of the contemporary Pasifika art scene as a long-standing member of the art collective the Pacific Sisters, and the founding member of the SaVĀge K’lub. Raymond has achieved international renown for her performances, installations, body adornment, and spoken word.

Jaimie Waititi
Jaimie (James) Waititi (Te Whānau a Apanui, Te Rarawa, Ngāpuhi) is a interarts, gender fluid artist who works within performance, regalia, lens-based media, image making, sound and installation. Their work explores the environment, racial and cultural politics and the gender and queer spectrum. They are obsessed with tipuna mātauranga (ancient Māori stories) and exploring these narratives through modern methods of storytelling.

Healing Gardens of Bab Funders

Details

Saturday 30 April 2022Sunday 13 November 2022

Industrial Gallery, Birmingham Museum & Art Gallery

Club Até (Sydney)

In Muva We Trust

Thursday 30 June 2022Saturday 9 July 2022

Birmingham, B3 3AX United Kingdom + Google Map

Birmingham 2022 Festival Present

Daily, Dusk til 11.00pm

Free

IMAGE: TRISTAN JALLEH & CLUB ATÉ

Projections on the exterior of a building

Bhenji Ra & Justin Shoulder

For just ten nights, after sunset, Chamberlain Square is briefly transformed by a colossal projected artwork inspired by Filipino folklore narratives by Club Até, a collective from Sydney.

Audiences are invited to encounter a large-scale installation, immersing themselves in the mythical Skyworld – a place of possibility and potential – experiencing how we can live in harmony with our environment. In Muva We Trust provides an opportunity for hopeful reflection at a moment in time where, collectively, we feel vulnerable and overwhelmed by both our recent compulsory social disconnect and the deepening climate crisis.

On the final night of In Muva We Trust, Club Muva rolls into town for a very special evening of vibrant pageantry at Symphony Hall – book your free tickets now.

In Muva We Trust is by Club Até and produced by Insite Arts

In Muva We Trust & Club Muva are presented as part of the UK/Australia Season 2021-22, a major programme of cultural exchange taking place across the two nations. Supported by Australia Council for the Arts and Australian Government RISE Fund and Department of Foreign Affairs and Trade.

 

Audio Descriptions

IN MUVA WE TRUST | PART ONE: INTRODUCTION
Click below to listen to Club Ate artists introduce the video artwork.
2 minutes.

IN MUVA WE TRUST | PART TWO: DESCRIPTION
Click below to listen to Club Ate artists describe the video artwork. Please wait until you hear the first sound cue, the sound of water cascading, to start the description in sync with the video.
6 minutes, 20 seconds.

 

Artist Biography

Club Até is an art collective based on the unceded lands of Sydney, led by interdisciplinary performance artists Justin Shoulder and Bhenji Ra.

They frequently collaborate with associate artists: Matthew Stegh, set and costume designer; Tristan Jalleh, digital video artist and music video director; and Corin Ileto, composer and electronic music producer, as well as their LGBQTIA+ artistic community.

Concerned with the dissection of cultural theory and identity, Club Até centralise their own personal histories and the narratives within their community, as tools to reframe performance. Their practice transverses sculpture; video; media; performance; and club events, with an emphasis on community nurture and activation. 

The work of Club Até is informed by the artists’ shared Filipino / Australian ancestry and the collective is invested in creating their own Future Folklore. They actively seek out collaborations with members of the queer Asia Pacific diaspora in Australia and the Philippines with the objective of finding collaborative meeting points, to celebrate voices of diversity.

Club Até have been invited and commissioned to perform and exhibit their works across Australia and internationally, in a diverse range of spaces and settings including festivals, independent and institutional galleries, theatres, nightclubs and outdoor environments. Their work has been presented at the Sydney Biennale Nirin 2020; Enlighten Festival 2020, National Gallery of Australia; Asialink Residency hosted by Green Papaya Arts, Philippines 2018; Balik Bayan, Blacktown Arts Centre, 2017; AsiaTOPA 2017 ACMI; M+ Museum in Hong Kong, Fault-lines: Disparate and Desperate Intimacies, ICA Singapore, 2016; 8th Asia Pacific Triennial of Contemporary Art, Gallery of Modern Art Brisbane, 2015-16, Sydney MCA and Art Gallery of NSW.

 

Details

Thursday 30 June 2022Saturday 9 July 2022

Chamberlain Square